Thursday 27. March - Afternoon -
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The facilitator makes an image, anybody can comment on: She makes e.g. the image of holding a baby in her arms. Comments: "hope", "fear", "motherhood", "sleep", "no sleep", etc. |
"Image Theatre": | - | The facilitator is repeating every word being
said. 85 % of all communication is without words/nonverbal. |
- | Everyone is standing in
a big circle with their back to the circle, then the facilitator says
one word, and everyone makes an image of their own representing this word.
In our case the first word was "School". |
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- | Anything can be used making the images for instance a book, a chair etc. The facilitator counts down from 5, and everybody turns towards the middle doing their image. | |
- | One is chosen to go in the middle making his/her image. | |
- | First objective comments: - "his knee is bend", - "his eyes are closed", - "his finger is pointing to the floor" etc. |
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- | Then subjective observations. | |
- | The facilitator is, for the first time in this training, asking people to be active participants. A way to ease in the "joker-character". | |
- | The person, whos images is being looked at, probably tries to move. This can be a try to communicate with us. Giving us more information. | |
- | Everything in each image is significant! | |
- | Everything in each image is potential! | |
- | Everything in each image is information! | |
- | Be wacky and be creative making the images. And be true. We are working with our own personal story there for making personal images from our own life - do not make up stories. | |
- | Be aware that we project
our own experiences in what we see in the image. For instance the people,
who thinks that this person is 10 years old, see this because they themselves
has experienced something similar when they were 10 years old. |
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- | The person in the middle is never going to tell the rest about his image. | |
Analyzing the Image: | - |
The facilitator asks what this image could represent, if this was a metaphor? What feeling is the person expressing? |
- | The word, which has been chosen here, is being
explained: - "School" - we all have a common experience from school. - "War" - something felt deep down. / Physical oppression. - "Empowerment" - owning your own sense of power. / Shows the person. |
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- | We are rarely being able to look in an objective way. | |
- | The words can for instance be: school, war, love, family, empowerment. | |
- | Most important is it,
that the image makes a whole picture, telling the whole experience with
school, war, etc. It is a way to bring the inner world out. |
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- | Images may help to
suggest things and themes, that we cannot put words on. In that way Image
Theatre helps. |
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- | Also it may give a person the strategy to find out what he/she is feeling. | |
- | The person, who's image
is being analysed, will learn. And so will everybody else. From our own
stories. |
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- | Working with children/young
ones, the words may also be: "Show me what it feels like, when you
are happy" / sad / having a great day etc. |
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- | It is without limits,
which words are chosen. Working with the group for a longer period, it
may be build on a theme for an ey are feeling.xample: emotional intelligence.
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- | One way of knowing,
that the group is ready to do image theatre, is to ask them to make an
image of "theatre". If everyone shows a drama queen, then you
know you speak the same language. |
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- | When you have been
working with things from deep inside, the "games" can help making
closure and bring people "back in the room". |
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Image Theatre: | - |
Making images in pairs
- A and B both being silent. |
- | Both A and B makes an image,
and everybody gets to show each image in the middle of the circle / Each
couple in the middle showing the produced images. When the facilitator
claps her hands, a new image is being shown |
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- | This is an important part of the process! | |
- | Everyone in the circle
is being asked to remember the images that speak to them / images that
resonates for them / provokes them in a good or bad way. |
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- | When an image is being
shown, everybody can walk around the image. |
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- | Afterwards the images were
analysed / comments on both objective and subjective observations. Discussing
who is the oppressed in each image.(Never underestimate the power of oppression.) |
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- | Anyone can comment on the
images - the facilitator helps cutting each image into small pieces. |
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- | The theme for these images was: "Difficult situations in your work". The image can contain or represent a piece of furniture, a film, a person, a metaphor etc. |
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- | Every image being shown
in the group is a gift being shared. |
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- | It has to be true for
the one who is making the sculpture / image. |
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- | Make sure that you
are very precise making the image. |
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- | Each image: the story
it tells is our own story. |
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Time for coffee break!! |
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Image Theatre: | -
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Standing in
a big circle with their back turned to the middle. Each person makes his/her
own image of the word "Oppression". Facilitator counting down
from 5. Everybody turns, facing the middle, showing their image of how
they have experienced oppression in their own life. |
- | Then everybody looks at
the many different images and walks / crawls to the persons whos image,
you think, makes sense to your own image. |
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- | You need to feel you share
some of the same feelings / the images express some of the same feelings
/ experiences. |
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- | Split into groups of 6. | |
- | Each one in the group makes
one common image with all 6 people in the group including yourself. So
each group makes 6 different images. |
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- | Making your own image you
can do the image you did in the beginning of this exercise or you can
change it. |
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- | Then we show all the images…the
audience with eyes closed between each image being shown. This is to help
the audience to remember each image, and also to make the first impression
more powerful. The facilitator clapps her hands when the audience can
open their eyes. |
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Comments on Image Theatre: |
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The facilitator
comments on today's exercises. |
- | She asks anyone to put
their hand up, if they have been moved emotionally making image theatre
(everyone did put up their hand) |
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- | She asks anyone to put their hand up if they have felt, it was damaging in any way (no hands) | |
- | Forum Theatre is riskfull,
and so is falling in love. Fear makes fear, and fear eats the power to
change things. It is not therapy, but it may function as therapy to some
people. Augosto Boal made this theatre to the people, and if it becomes
therapy, it will no longer belong to the people but to the psychologists.
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- | Many preparations must
be done with each different group before you can make Forum Theatre. The
preparations is "this" what we are doing in this workshop. |
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- | Every exercise is a
part of a process. Every step part of a journey. And the process/the journey
is as important or even more important than the product. |
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- | In this process we
are working with emotional intelligence working with inter- / intra- personal
relationships. It is a continual learning process. |
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Closing Exercise: | - | Standing up in one big circle holding
hands…moving towards the middle raising our hands…saying:
THE BEST…IS YET…TO COME!!! |